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The Lies of Locke Lamora (Gentleman Bastards), by Scott Lynch
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Review
“Fresh, original, and engrossing . . . gorgeously realized.”—George R. R. Martin “Right now, in the full flush of a second reading, I think The Lies of Locke Lamora is probably in my top ten favorite books ever. Maybe my top five. If you haven’t read it, you should. If you have read it, you should probably read it again.”—Patrick Rothfuss, New York Times bestselling author of The Name of the Wind“Remarkable . . . Scott Lynch’s first novel, The Lies of Locke Lamora, exports the suspense and wit of a cleverly constructed crime caper into an exotic realm of fantasy, and the result is engagingly entertaining.”—The Times (London) “A unique fantasy milieu peopled by absorbing, colorful characters . . . Locke’s wit and audacity endear him to victims and bystanders alike.”—The Seattle Times “A true genre bender, at home on almost any kind of fiction shelf . . . Lynch immediately establishes himself as a gifted and fearless storyteller, unafraid of comparisons to Silverberg and Jordan, not to mention David Liss and even Dickens.”—Booklist (starred review) “High-octane fantasy . . . a great swashbuckling yarn of a novel.”—Richard Morgan
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About the Author
Scott Lynch is the author of The Lies of Locke Lamora, Red Seas Under Red Skies, and The Republic of Thieves. He lives in Wisconsin and frequently visits Massachusetts, the home of his partner, science fiction writer Elizabeth Bear. He moonlights as a volunteer firefighter.
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Product details
Series: Gentleman Bastards (Book 1)
Mass Market Paperback: 736 pages
Publisher: Del Rey; Reprint edition (June 26, 2007)
Language: English
ISBN-10: 9780553588941
ASIN: 055358894X
Product Dimensions:
4.2 x 1.2 x 6.8 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
1,848 customer reviews
Amazon Best Sellers Rank:
#14,896 in Books (See Top 100 in Books)
I left this unread on my Kindle for about 2 years. I had started it but lost interest after the first few pages and read other stuff. Nothing significant in my abandon, it was cheap and am not that into fantasy in general. Too much re-Tolkien and not enough innovation.I recently decided to give it another go, read it all through and bought the 2nd in the series right away.First of all, it is very well written, plenty of subtle wit. The characters are quite well developed and you can see that the author has a lot of backstory about them. Locke is a bit perfect for my taste, but he is entertaining enough that I let it pass. And... he is a massive fail at combat, which is a nice twist and keeps him from being another cardboard hero.The second bit is how atmospheric and well-described the world is. Camorr is a Venice-built-on-alien-ruins and Lynch totally runs with it. Its descriptions tease you and intrigue you, but do not overwhelm the story*. The somewhat Italian Renaissance names and society fit in perfectly and things are easy to visualize.Set in a modern day crime novel, the plot would have enough twists and turns to keep you riveted. The Gentleman Bastards are confidence tricksters, grifters and con-men. Schemes meet counter-scams and you're almost expecting a Nigerian prince 419 phishing email to come along. Every so often, I would come to a point where I would think "but what about X? it makes no sense that...". You know, typical big gaping plot holes in silly books. And, every time, it turned out that what I thought was an oversight was actually built into it and made sense.Finally, unlike many writers who believe that a good plot needs to be confusing, Lynch has kept it very simple and focused. At least after each twist.In a low-magic medieval setting, with bloody, luscious, combat scenes**? This story rocks.Last, how can one resist a novel with 'contrarequialla', scantily-clad women gladiators who fight in arenas against sharks? Where this makes sense, rather than being just "jumping the shark"? That's only 2 or 3, glorious, pages' worth, but it shows how well-thought out even minor bits of the story can be because you have two setup scenes before the main combat one with the requalias.(two warnings)* I liked the descriptions myself, but they could be a bit much if you're not into descriptive novels. I'm on the fence - descriptions annoy me sometimes. These worked for me, but they're a biiiiiig part of the book.** And... it's a very grim book at times, quite amoral and graphic in its violence.
i downloaded the sample of this book and absolutely loved it. as far as opening chapters go, this might be one of the funniest and most clever ones i've ever read. the conversation between the thiefmaker and father chains is just hilarious, and hearing about locke lamora before actually meeting him is great way to set up the central themes of the book. so then i bought the book and kept reading, and was i faced with my first problem: the first chapter deals with locke as a child, but chapter two takes place years later when locke is already an adult. the book goes back and forth, telling interludes from his youth in between chapters of the main storyline, which is kind of annoying.but i'm willing to overlook that because the writing is so good, the setting so vivid and detailed, and the characters so entertaining. locke lamora and his crew of thieves are all great characters, and most of the supporting cast like father chains and capa barsavi and brilliant as well. they're all unique and memorable, and even minor characters are given enough personality to make them interesting. the dialogue is great, its fast and witty and consistently funny, but doesn't get in the way of the narrative.my main problem with the book (and why i'm doing 4 stars instead of 5) is that the tone of the book changes quite drastically right in the middle of the story. the first half of the book is basically a light-hearted caper comedy; locke and his crew are trying to rob a rich nobleman without their crime lord finding out about it. however, the middle of the book introduces some serious violence and death to the story, characters start getting killed off left and right, and the whole tone shifts from "caper comedy" to "brutal revenge plot." it was kind of jarring and i didn't really like it, even though the book was still great as it raced toward its action-packed conclusion. it's not that i don't like violent revenge novels, but the change in tone was just too surprising and left a bad taste in my mouth. i will admit that from a character standpoint, its really well done and forces locke to make sacrifices and admit that he's had it easy for far too long. but seriously, so many people get killed off so violently that it almost makes the game of thrones seem tame by comparison.
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